Jim's aunt, grandfather, visiting relative (actually from NYC!), and uncle (L to R) |
Seeing plays in New York City is a big deal for an upstater
like me, so back in December 2007, while in town visiting a college buddy, I
was looking forward to a good show. The tickets to a play at the Beckett
Theatre were a gift from a friend of a friend, who offered just a brief preview
as he placed them in my hand: “I’ve heard
good things about this one.” I
was ready for the larger world theatre can offer our certain lives. I was ready
to see things fresh. But what I wasn’t ready for, standing and applauding that
performance of Harvest, was what broke
ground in my opening heart as that curtain closed.
I was raised in a rural area near the Great Lake Ontario, where
winter blizzards and rain-filled springs create rich muck farms. Two of my
uncles’ families made their lives on those farms, and my earliest memories are filled
with all the drama homespun lives can produce. The characters of Harvest wrestled with that kind of life,
and watching their passages through the play was a tender reminder that only a
few of my uncles’ generation were still with us and, when we buried them, we would
also be burying the farming life. The emotion I felt for both the Harvest performance and my ancestry
stirred with my applause—and the seed to somehow honor my family was planted.
A few years had to pass before I could nurture that seed to
fruition. I took every opportunity to talk with my relatives—the older the
better—asking them to share what they remembered from those farming days. We nosed
around the root cellars of our memories, compared notes over dinners made from
Grandma’s recipes, held photos of our loved ones like prized produce.
During the first half of 2011, I wrote feverishly, something
within me urging: Now is the time. By
September the book was complete and Country Boy, a collection of poems about the people, places and thinkings of my
youth, was bound. How fortunate I was to be able to place a copy of it in my
father’s hands six weeks before he passed away, and how my memories curled up
with his in our last talks.
It’s not often that we can see so clearly the line between a
life-changing event and its humble beginning.
Today, when I attend a book signing and read from Country Boy, I always start by telling the audience about a little
theatre company tucked away, like the sweetest farm garden, in a corner of New
York City. And I tell them about a play that brought me to my feet, that
brought my pen to paper. Thanks Jud. Thanks Christa. Thanks cast and crew. May
you always hold close the truth that Harvest
did not die with its last performance. In fact, it thrives.
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you can find a schedule of Jim's readings at the CNY [Central New York] Arts Center here.
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ReplyDeleteI'm a fan of Jim's poetry & have read "Country Boy". It's great to see him branching out into blogdom. In addition to being a well structured story, I find his blog to be as moving and poignant as his poetry. I'm also now curious about TheatreEast & plan to find out more about your organization.
ReplyDeleteMaureen C. Moriarty
Bristol, CT