Showing posts with label theatre community. Show all posts
Showing posts with label theatre community. Show all posts

Sunday, November 6, 2011

Risk Taking

from Christa Kimlicko Jones, Associate Artistic Director, Director of Programming: 


“And the day came when the risk it took to remain tight inside the bud was more  painful than the risk it took to blossom.”

This week, I have been so inspired by that quote (enough to post it on Facebook, share it with my students, and now to write about it here).
I think what hits me specifically in this one is the idea of what’s at stake. It’s more painful to NOT take a risk. To never know. To live a life without diving in. To just settle. More painful because if you don’t take risks, you’re not reaching the potential of who you could be, or what could become. It’s that idea of reaching for the stars. Setting goals. Having dreams. In addition to not living to one’s potential being painful, I really think it is our duty as human beings. In order to keep the world flowing. Moving. Growing. Emerging. I mean, what if no one ever dreamed of going to the moon? Or maybe they dreamed it, but never said anything? Can you imagine? Put it like that, it seems that there is almost a responsibility to put one’s self out there. What if a group of people in Chicago never got together and said, “let’s create a company”? We’d have no Steppenwolf. What if Rosa Parks had gone to the back of the bus?
Time and time again, I’m telling myself and my students to try to stay curious. To take risks. Curiosity may have killed the cat, but it keeps the world going for sure! (And the cat has nine lives, right? :) If people weren’t curious, they wouldn’t strive to reach past their comfort zone. Creativity (in art, science, expression) requires curiosity. It requires risk taking. Staying curious, with an open heart & mind to experience the world around us and try to be the best human one can possibly be, is worth striving for. The alternative is just too painful. It’s risky to fall in love; to go to school and study what you love; to do what you love; to take a journey across the country; to say “I can do that” and really work on it; to tell a friend the hard truth; to admit when one is wrong; to write one’s thoughts down for the public to see; to trust; to fall down and get back up again; to go against the grain; to question; to Occupy Wall Street; to run for office; to have a baby; to write a poem; to paint the Sistine Chapel; to write a play; to compose a song; to admit that you DON’T want to do what you thought you wanted to do and change direction; to stick with something.
And, let’s not forget the risk of starting a theatre company—and a not-for-profit theatre company at that? Thank goodness we have amazing minds before us who can inspire us. Those that started from just an idea and have, through the years, made a tremendous mark on the world: the Alley, Steppenwolf, the Public, and many, many more. What a gift. And now, with Theatre East, who knows? It’s risky to even put the names in the same thought. But why not? We gotta dream! We gotta keep going because—the alternative is too painful. I’m so thankful to be surrounded by people who push me to be the very best I can be, and who have great dreams and goals—the people in the Theatre East community (the staff, the company, the audiences, the future audiences). Together we can do it. Together we continue to take risks, to push each other and you—so that we can all grow a little bit more. Aim to be better humans. Do our part to help make the world a better place.
The NYC marathon was this weekend—what an amazing physical act of curiosity, strength, desire, goal setting, reaching for the stars, endurance, and determination. What a great example. I am completely inspired by these people. Thank you to those that are running for taking risk and diving in. I imagine you will never be the same. In fact, I imagine you are finding out more deeply who you really are.
So let’s take ‘em. Risks. Why? The alternative is too painful.
One final note, I must thank YOU for taking a risk and supporting theatre in general. And, of course, thank you for supporting Theatre East, specifically. Together—we will blossom.

Wednesday, December 1, 2010

Theatre Is Ephemeral

[This is a review of a non-Theatre East production]

There are aspects of live theatre that are exciting: anything can happen, so no performance is the same as any other & it only happens once. But the ephemeral nature of live theatre is also frustrating: it's over before you know it. As if to drive that point home, Playbill.com recently announced that LA BETE would be among the Broadway shows closing earlier than planned.
Associate Director Joseph Parks was fortunate to see LA BETE, as were Artistic Directors Christa Kimlicko Jones and Judson Jones. In fact, Christa said that, years from now, when people ask her what was the most memorable performance she ever saw, she would instantly say "Mark Rylance in LA BETE," likening it to the performances of Laurette Taylor, an actress of the 1940s who was named by many of her contemporaries as the most memorable performer of their lives. (Read more about Laurette Taylor here.)

So if you're looking for some good theatre to see between now and the opening of THE SOLDIER DREAMS, treat yourself to LA BETE.



Monday, November 8, 2010

Reading of New Play by Educational Co-chair Raquel Almazan at INTAR Theatre

Theatre East Educational Outreach Co-Chair Raquel Almazan's new play

LA PALOMA PRISONER

will have a reading at INTAR Theatre,
Tuesday November 16th at 7PM

The play, directed by Candido Tirado, centers on a killer nicknamed La Paloma who targets men who rape girls. During her incarceration, male rapists throughout Colombia continue to turn up dead, leading the public to believe La Paloma may have magical avenger abilities. With the spread of the beauty pageant obsession in South American prisons, this group of female prisoners organize “the parade of prisoners,” calling on ancient rituals of adorning the warrior. These women's stories interweave Colombia's social, political and spiritual history. With this newfound power, the women redefine beauty, their own humanity and their identity as criminals. La Paloma begins to revolutionize not only the women’s lives, but prison society and the world beyond its walls.

A feedback session following the reading will help in the development of this script.
If you would like to attend, contact Raquel to RSVP.

CAST INCLUDES:
Penny Arcade

Elise Hernandez

Dacyl Acevedo

Tatiana Pico

Gladys Perez

Talia Castro Pozo

Nedra Gallegos

Bonnie Barrios
Tristan Perez

photo (c) 2010 Raquel Almazan

Tuesday, November 2, 2010

Company Member Helen Merino Honored with B. Iden Payne Award

Congratulations to company member Helen Merino for her Outstanding Lead Actress in a Drama B. Iden Payne Award for her turn in the title role of Schiller's MARY STUART in Peter Oswald's adaptation at Austin Shakespeare.

Helen previously won the Payne Award for Best Featured Actress in a Comedy for her work in PRESENT LAUGHTER in the 2006–2007 season. (The B. Iden Payne Award is Austin's "Tony"—read more about them here.)

TheatreEast.org
Support Theatre East

Company Member Shorey Walker Earns Raves in CRITICAL MASS

Theatre East congratulates company member Shorey Walker (Dorothy in EYE OF GOD), who has been earning rave reviews for her performance in CRITICAL MASS in the Lion at Theatre Row with Heiress Productions (where company member Morgan Baker sits on the board of directors).

Cindy Pierre of Stage and Cinema wrote:
"The actors have ample opportunity to be versatile...everyone’s an imposter, but no one does it better than Shorey Walker as Francesca." (Read the full review here.)

There are 6 performances remaining between Wednesday, Nov. 3 & the matinee on Sunday, Nov. 7. Support live theatre!


Thursday, October 14, 2010

Review: NO PLACE CALLED HOME

[This is a review by Director of Development William Franke of a non-Theatre East production]

Last night I went downtown to 3LD Art & Technology Center
to see my friend, Kim Schultz, in NO PLACE CALLED HOME, a one-woman show she wrote & performs, under the adept direction of Sarah Cameron Sunde.
Actually, there are a couple things wrong with that statement. It's not really a "one-woman" show because A) she is beautifully accompanied & underscored live on stage by the musician Amikaeyla Gaston, B) the aforementioned direction by Sunde shapes the show wonderfully and C) she doesn't stay one woman for long. With her skill & under Sunde's direction, she quickly morphs from her American self into several Iraqi refugees—from robust, laughing men, to grieving women to little kids.
In the crudest of nutshells, that's what the show is about: Last year Kim, as part of Intersections International's Iraqi Voices Amplification Project, went to several countries in the Middle East to interview some of the 4 million Iraqis displaced by the war. The show she's crafted from those interviews—and her performance of it—honors those stories admirably.
Although this is not a Theatre East production, it happens to mirror a number of our core beliefs: We believe that theatre enables a greater connection to the world and to each other and that it is a catalyst for critical thinking. And, in line with our core belief that theatre
is not a luxury but should be accessible to everyone, no matter one's economic or social status, they are offering a $3 discount if you use the code FRIEND when you order tickets—which I recommend you do before the show closes on October 31 (playing at various venues—check venue when ordering tickets).