Sunday, November 6, 2011
Risk Taking
Wednesday, December 1, 2010
Theatre Is Ephemeral

There are aspects of live theatre that are exciting: anything can happen, so no performance is the same as any other & it only happens once. But the ephemeral nature of live theatre is also frustrating: it's over before you know it. As if to drive that point home, Playbill.com recently announced that LA BETE would be among the Broadway shows closing earlier than planned.
Associate Director Joseph Parks was fortunate to see LA BETE, as were Artistic Directors Christa Kimlicko Jones and Judson Jones. In fact, Christa said that, years from now, when people ask her what was the most memorable performance she ever saw, she would instantly say "Mark Rylance in LA BETE," likening it to the performances of Laurette Taylor, an actress of the 1940s who was named by many of her contemporaries as the most memorable performer of their lives. (Read more about Laurette Taylor here.)
So if you're looking for some good theatre to see between now and the opening of THE SOLDIER DREAMS, treat yourself to LA BETE.
Monday, November 8, 2010
Reading of New Play by Educational Co-chair Raquel Almazan at INTAR Theatre

LA PALOMA PRISONER
will have a reading at INTAR Theatre,
Tuesday November 16th at 7PM
The play, directed by Candido Tirado, centers on a killer nicknamed La Paloma who targets men who rape girls. During her incarceration, male rapists throughout Colombia continue to turn up dead, leading the public to believe La Paloma may have magical avenger abilities. With the spread of the beauty pageant obsession in South American prisons, this group of female prisoners organize “the parade of prisoners,” calling on ancient rituals of adorning the warrior. These women's stories interweave Colombia's social, political and spiritual history. With this newfound power, the women redefine beauty, their own humanity and their identity as criminals. La Paloma begins to revolutionize not only the women’s lives, but prison society and the world beyond its walls.
A feedback session following the reading will help in the development of this script.
If you would like to attend, contact Raquel to RSVP.
CAST INCLUDES:
Penny Arcade
Elise Hernandez
Dacyl Acevedo
Tatiana Pico
Gladys Perez
Talia Castro Pozo
Nedra Gallegos
Bonnie Barrios
Tristan Perez
photo (c) 2010 Raquel Almazan
Tuesday, November 2, 2010
Company Member Helen Merino Honored with B. Iden Payne Award

Helen previously won the Payne Award for Best Featured Actress in a Comedy for her work in PRESENT LAUGHTER in the 2006–2007 season. (The B. Iden Payne Award is Austin's "Tony"—read more about them here.)
Support Theatre East
Company Member Shorey Walker Earns Raves in CRITICAL MASS

Cindy Pierre of Stage and Cinema wrote: "The actors have ample opportunity to be versatile...everyone’s an imposter, but no one does it better than Shorey Walker as Francesca." (Read the full review here.)
There are 6 performances remaining between Wednesday, Nov. 3 & the matinee on Sunday, Nov. 7. Support live theatre!
Thursday, October 14, 2010
Review: NO PLACE CALLED HOME
[This is a review by Director of Development William Franke of a non-Theatre East production]
Last night I went downtown to 3LD Art & Technology Center to see my friend, Kim Schultz, in NO PLACE CALLED HOME, a one-woman show she wrote & performs, under the adept direction of Sarah Cameron Sunde.
Actually, there are a couple things wrong with that statement. It's not really a "one-woman" show because A) she is beautifully accompanied & underscored live on stage by the musician Amikaeyla Gaston, B) the aforementioned direction by Sunde shapes the show wonderfully and C) she doesn't stay one woman for long. With her skill & under Sunde's direction, she quickly morphs from her American self into several Iraqi refugees—from robust, laughing men, to grieving women to little kids.
In the crudest of nutshells, that's what the show is about: Last year Kim, as part of Intersections International's Iraqi Voices Amplification Project, went to several countries in the Middle East to interview some of the 4 million Iraqis displaced by the war. The show she's crafted from those interviews—and her performance of it—honors those stories admirably.
Although this is not a Theatre East production, it happens to mirror a number of our core beliefs: We believe that theatre enables a greater connection to the world and to each other and that it is a catalyst for critical thinking. And, in line with our core belief that theatre is not a luxury but should be accessible to everyone, no matter one's economic or social status, they are offering a $3 discount if you use the code FRIEND when you order tickets—which I recommend you do before the show closes on October 31 (playing at various venues—check venue when ordering tickets).