Showing posts with label thinking. Show all posts
Showing posts with label thinking. Show all posts

Sunday, March 4, 2012

When Life Gives You Lemons

from Judson Jones, Artistic Director


When life gives you lemons, make saturated calcium hydroxide1 
We’ve all heard the old adage before. And while we know it to be true, that doesn’t mean it’s easy.
The year is 1990. I’m a junior at Whitehouse High School. And for some reason, in the infinite wisdom of a 17-year-old, I opted to sign up for Physics class. Why? I still don’t know. I could say that I truly wanted to ponder the mysteries of the universe. Most likely there was a cute girl in the class; at 17 you tend to follow certain parts of the body more than others. So there I was. I had already plastered my textbook cover with my favorite bands, I had my new Chuck Taylors on (which I think the cute girl noticed), I was ready for some Physics. Then Mr. Tom Young walked in. You know that look on your face when you smell something but you can’t figure out exactly what it is, and you kind of turn your head one direction and then another to see if you find the source? That was my face for the next 50 minutes. Who cares about Bon Jovi? Who cares about red canvas Hi-Tops with black laces? Who cares about the cute girl?! I’m going to fail Physics!!! After school that day I went and drowned my sorrows in a tall  suicide2 Slush from Sonic.
As I lay in bed that night two thoughts kept creeping into my mind. Over and over. Incessantly. No matter how hard I tried, my mind was plagued with fear and grief. One: Cop Rock. Really?! From the same mind that created Hill Street Blues?! It made no sense! That was the problem with the ’90s! Things were too good! We left the depressing, gritty, cocaine-filled, recession-induced dramas with the ’80s! We didn’t want to see a brooding cop with a dark past who nurses a bottle of Scotch each night just to blot out the nightmares of the streets arresting some arrogant drug lord that had the cop’s partner taken out in an undercover sting that went bad two weeks ago! We didn’t want to see that! Instead we wanted to see the same brooding cop and the same arrogant drug lord SINGING AND DANCING TOGETHER! Ugh! It was such a rough time. Oh, and the other thought that kept penetrating my mind was sitting in Mr. Young’s Physics class for the remainder of the school year.
But much to my surprise Physics class got better. There was something incredibly special that Mr. Young brought to class every single day: Passion. And it was contagious. He loved teaching. He loved his students. He didn’t try to make science cool, instead he simply showed us how cool it was. Listening to him talk about quantum behavior or how a Dunking Duck works was like listening to a master painter talking about a piece of art. He was the myth buster before MythBusters came along! Plus he always had assignments you could do for extra credit. This was the secret to me passing. (Oh, and after the 11th episode—“Bang the Potts Slowly”—Cop Rock was canceled.)
We were getting close to midterms and we were each directed to conduct an experiment and document the process FULLY. This would count for half our grade. The stakes were high. So I chose the old lemon-powers-the-digital clock experiment. I already had a head start: we’d bought my dad one of those setups years ago for Father’s Day and my dad keeps everything! I had my digital clock, my piece of copper, my galvanized nail, my wiring, and most importantly my lemon. It went off without a hitch! Then I had to write about it. What was the chemical process that made it work. Mind you, this was before one could just Google it or go to Wikipedia to find out that it’s just an electrochemical reaction caused when oxidation and reduction occur. (I’m still not certain what that means.) Anyway, I pored over texts and labored over my predicament for days. And the night before it was due I found myself staring at the blinking colon on my lemon-powered-digital clock. Then an idea struck me. Partially because I’m stubborn and partially because it’s rumored that I’m a smart ass…I would write a play. Which Way Did He Go George could be called an homage to Of Mice and Men with a Frankenstein twist. It centered around an ill-fated lemon named Lenny and the painful choice that George would have to make. I don’t want to spoil anything for you, but yes, George kills Lenny! Sorry. But then George decides to resurrect Lenny in spectacular fashion and thus documenting my experiment began. I finished my masterpiece, went to class the next day, and handed in my death sentence with a smile.
When we came back from the break Mr. Young promptly started handing out our graded term papers. All but mine. He simply asked me to stay after class. Great. I was going to get an F and a lecture. I could hear it already: “You don’t apply yourself.” “Was this supposed to be funny?” “You’ve learned nothing in my class.” After everyone left the class I slowly made my way to his desk and was prepared to lay prostrate and receive my lashings. Mr. Young handed me my paper. B. “I would have given it a higher grade but I felt like the plot sort of fell apart towards the end. And it seemed a bit contrived at times.” I just stared at him. Oh my God, I’ve fallen asleep again. That’s what’s happening. I’m asleep at my desk and at any moment something is going to wake me up and I’m going to spring back and let out something like, “Uhwoodowha?” That didn’t happen. I was indeed awake. Mr. Young broke the silence, “You probably think I'm teaching you Physics don't you? I’m not. I'm teaching you that when you're faced with something and you don't know what to do or how to move forward…you don't close the book. You don't give up. You DO something.”
...
In this business of theatre, we are told “No” so many times. Whether it’s seeking a role, funding for a production, a home for a play, presenting a design or a score, we will hear “No” many times before we will hear “Yes.” And all too often it makes us want to throw up our hands and simply close the book. Over the past couple of weeks Mr. Young has come to mind often. Every time I think I can’t send another email, I can’t reach out to another possible funder, I can’t chew another TUMS…I take a moment. Breathe. And think, “Don’t close the book.”
Thank you, Mr. Young for that gift. It has made all the difference. What you put in motion…has stayed in motion.

Sunday, February 26, 2012

Are You Not Entertained?

from William Franke, Director of Development & Communications
 
While I realize that quoting the catchphrase from an Oscar-winning film from 11 years ago may not seem the most timely of ideas, I couldn't help but think of Maximus bellowing to the crowds at the Colosseum after reading the latest post at An Uncommon Mind. Subtitled An Autodidact's Guide to Public Education, it is the blog of Joanne O'Brien, who is a high school teacher as well as a longtime friend of Theatre East*.
 
In her post from last Sunday, Joanne addresses the challenges of Engagement vs. Entertainment in education, asking "How did we come to confuse engagement with entertainment, and to insist that teachers perform like marionettes, bouncing around the classroom, mouthing scripts prepared by others?" She goes on to argue that truly engaging educational instruction "challenges the student to seek out the answers to questions of 'how' and 'why' in addition to the 'what' and 'who' of a topic. This search goes hand-in-hand with challenging activities, and rewards students for delving deeply into subject matter."
 
As I read this, it occurred to me that what Joanne strives for in the classroom is what Theatre East strives for in the theater. In the classroom, the "why" makes learning so much more interesting than the simple rote memorization of names, dates & places. And of course in the theater it is enjoyable to see complex characters in interesting situations and it's rewarding to be able to parse out the "why"—the motivation— behind each character's words & actions. But that would stop at being merely entertaining. At Theatre East, as we lay out in our core beliefs, we believe that theatre enables a greater connection to the world and to each other & that it is a catalyst for critical thinking.
We
seek to advance the dialogue of the shared human experience through works that utilize simple storytelling,providing our community with a platform to deepen its understanding of themselves, each other and the world we share...works that provoke you to see the "what" up on stage, think about how the "who" is you, and challenge you to debate what your "how" & "why" would be under those circumstances. And not to have the solution laid out up on stage, but rather allow it to be  something you discover & unlock inside of you.

I feel we've done a pretty good job wrestling with some meaty issues in our past couple of seasons with EYE OF GOD (what are the limits of faith, especially where they intersect with a woman's right to choose?) and THE SOLDIER DREAMS (who has the right to make end-of-life decisions for a loved one? and how can we connect with them before it's too late?) and I look forward to the discussions that will follow NORMALCY in August-September. What will those post-show conversations be like? Well, you'll have to come to the show and see for yourself!
 
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*(and wife to Theatre East's Resident Composer & Sound Designer, Scott O'Brien.)